About the Project

About Feral Flowers

Feral Flowers is a forty-year photographic archive dedicated to California’s wildflower landscapes—places photographed during extraordinary moments of bloom, many of which have since changed through development, land use and a changing climate.

What began as a personal journey in 1986 gradually became a sustained photographic record of landscapes that can exist for only a few weeks, a few days or sometimes only a few hours before disappearing again.

Flowers of the Wind exhibition of Richard Dickey's California wildflower photography at The G2 Gallery.
Flowers of the Wind · The G2 Gallery · Theodore Payne Foundation fundraiser

About the Work

The earliest photographs were made with Canon 35mm film cameras using a range of lenses and filters. Much of the analog archive was photographed on transparency film, a demanding medium with little tolerance for exposure error and limited opportunity for correction after the image was made.

Over time, the work developed around atmosphere—the quality of the air, seasonal moisture, wind, cloud movement and the direction of light. These conditions can transform the appearance of flowers and terrain from one moment to the next, making patience and being present in the landscape as important as the camera itself.

In 1991, the Fuji GX617 panoramic camera became part of the project. Its large 6×17 cm transparency film frame produces a true 3:1 panoramic image, allowing broad valleys, hillsides and mountain foothills to be documented within a single sweeping frame. Digital photography later extended the archive while continuing the traditional 3:2 proportions of 35mm photography.

When displayed at architectural, wall-sized scale, the Fuji panoramas reveal an extraordinary range of detail across the landscape—from individual flowers in the foreground to immense fields containing millions of blooms. The result can feel less like looking at a photograph and more like being present in the landscape.

Original Film & Archival Process

Much of the archive survives as original film transparencies dating back decades. When viewed directly on a light table through a magnifying loupe, the originals reveal the color, fine detail and depth physically contained within the film.

These transparencies remain the primary analog source for the photographs and provide a physical record created at the time each landscape was photographed.

Analog Originals
The Film Archive

Original 35mm and Fuji GX617 transparencies preserve the image as it was captured on film. Polarizing filters were sometimes used in the field to reduce atmospheric haze and surface glare, allowing greater clarity and color separation under intense sunlight.

Digitization
Scanning the Originals

Film originals are digitized using professional equipment including Nikon 4000 Coolscan, Flextight 949 and drum scanning when required, preserving the color depth, tonal range and fine detail contained in the original transparency.

Printing at Architectural Scale

The printing process began in the traditional darkroom, with hand burning and dodging of black-and-white prints and work with Cibachrome. Modern digital workflows now allow the original film archive to be reproduced with exceptional control while preserving the character of the source transparency.

High-resolution scans intended for large-scale printing are carefully prepared to preserve edge acuity, tonal richness and the structural detail of the original film. Because of the expansive area of the 6×17 cm frame, Fuji GX617 photographs can retain remarkable clarity at mural scale.

Prints exceeding ten feet in width have been produced from the panoramic archive, including a permanent wildflower mural installation at the Frazier Park Library.

Large framed California wildflower photographs by Richard Dickey displayed at The G2 Gallery.
Flowers of the Wind exhibition · The G2 Gallery
Framed panoramic and landscape wildflower photographs displayed at The G2 Gallery.
Large-format photographic works · Flowers of the Wind
Kodak metallic papers · limited edition
Fuji Crystal Archive paper · limited edition
Fine art giclée prints · limited edition
Select metal and acrylic presentations · limited edition
Archival wall murals · available on commission
Rare Cibachrome test prints · limited availability

Publications & Exhibitions

Selected Publications

Vogue
Saving the Super Bloom · April 2021
Fremontia — The Last Floral Blooms
Journal of the California Native Plant Society · Richard Dickey · Winter 2009
California’s Fading Wildflowers
Richard Minnich · University of California Press · Book Cover · May 2008
Tejon-Tehachapi National Park Campaign
Center for Biological Diversity, Sierra Club and Natural Resources Defense Council · Brochure · May 2007
Wildflower — Lady Bird Johnson Wildflower Center
Magazine · Fall 2006
UCLA Magazine
Magazine · April 2006
UCLA Today
January 2006
Human Flower Project
August 2005

Selected Exhibitions

Flowers of the Wind — The G2 Gallery
Theodore Payne Foundation fundraiser · Exhibit View 1 · Exhibit View 2 · Exhibit View 3
Frazier Park Public Library — Kern County
Permanent exhibit · Panoramic Wildflower Murals
Wild Wood Gallery — Journeys
Beacon, New York · Group exhibit · Jurists Leonard Freed and Helen Wright
Los Angeles County Museum of Art — ARSG
Theodore Payne Foundation
Suzuki Camera and Gallery
Osaka, Japan

Institutions & Clients

University of California Press · Lady Bird Johnson Wildflower Center · Center for Biological Diversity · Theodore Payne Foundation · Kern County Library · California Native Plant Society / East Bay Chapter · Sierra Club / Condor Group · S.C. Anderson Inc · California Cactus Center · University of Texas Austin · Red Cross / Katrina Relief · UCLA Magazine · Art Source LA · Phoenix Memorial Hospital · Cedars Sinai Hospital · Colburn Sassaman · GLAAD Media Awards Auction

Award

Community Service Award of Honor

Gorman Wildflower Preserve UCLA · American Society of Landscape Architects · September 2006 · View Award

Original Photography

All photographs presented on Feral Flowers are original photographic works created by Richard Dickey. The archive includes original film transparencies dating back to the 1980s. No photographs displayed on this website are AI-generated.

All photographs presented on this website are part of four decades of original photographic work and are registered and copyrighted with the U.S. Library of Congress. Unauthorized use, reproduction, distribution or copying of any image is prohibited without prior written permission. All rights reserved.

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