About Feral Flowers
Feral Flowers is a forty-year photographic archive dedicated to California’s wildflower landscapes—places photographed during extraordinary moments of bloom, many of which have since changed through development, land use and a changing climate.
What began as a personal journey in 1986 gradually became a sustained photographic record of landscapes that can exist for only a few weeks, a few days or sometimes only a few hours before disappearing again.
About the Work
The earliest photographs were made with Canon 35mm film cameras using a range of lenses and filters. Much of the analog archive was photographed on transparency film, a demanding medium with little tolerance for exposure error and limited opportunity for correction after the image was made.
Over time, the work developed around atmosphere—the quality of the air, seasonal moisture, wind, cloud movement and the direction of light. These conditions can transform the appearance of flowers and terrain from one moment to the next, making patience and being present in the landscape as important as the camera itself.
In 1991, the Fuji GX617 panoramic camera became part of the project. Its large 6×17 cm transparency film frame produces a true 3:1 panoramic image, allowing broad valleys, hillsides and mountain foothills to be documented within a single sweeping frame. Digital photography later extended the archive while continuing the traditional 3:2 proportions of 35mm photography.
Original Film & Archival Process
Much of the archive survives as original film transparencies dating back decades. When viewed directly on a light table through a magnifying loupe, the originals reveal the color, fine detail and depth physically contained within the film.
These transparencies remain the primary analog source for the photographs and provide a physical record created at the time each landscape was photographed.
Original 35mm and Fuji GX617 transparencies preserve the image as it was captured on film. Polarizing filters were sometimes used in the field to reduce atmospheric haze and surface glare, allowing greater clarity and color separation under intense sunlight.
Film originals are digitized using professional equipment including Nikon 4000 Coolscan, Flextight 949 and drum scanning when required, preserving the color depth, tonal range and fine detail contained in the original transparency.
Printing at Architectural Scale
The printing process began in the traditional darkroom, with hand burning and dodging of black-and-white prints and work with Cibachrome. Modern digital workflows now allow the original film archive to be reproduced with exceptional control while preserving the character of the source transparency.
High-resolution scans intended for large-scale printing are carefully prepared to preserve edge acuity, tonal richness and the structural detail of the original film. Because of the expansive area of the 6×17 cm frame, Fuji GX617 photographs can retain remarkable clarity at mural scale.
Prints exceeding ten feet in width have been produced from the panoramic archive, including a permanent wildflower mural installation at the Frazier Park Library.
Publications & Exhibitions
Selected Publications
Saving the Super Bloom · April 2021
Journal of the California Native Plant Society · Richard Dickey · Winter 2009
Richard Minnich · University of California Press · Book Cover · May 2008
Center for Biological Diversity, Sierra Club and Natural Resources Defense Council · Brochure · May 2007
Magazine · Fall 2006
Magazine · April 2006
January 2006
August 2005
Selected Exhibitions
Theodore Payne Foundation fundraiser · Exhibit View 1 · Exhibit View 2 · Exhibit View 3
Permanent exhibit · Panoramic Wildflower Murals
Beacon, New York · Group exhibit · Jurists Leonard Freed and Helen Wright
Osaka, Japan
Institutions & Clients
Award
Gorman Wildflower Preserve UCLA · American Society of Landscape Architects · September 2006 · View Award
All photographs presented on Feral Flowers are original photographic works created by Richard Dickey. The archive includes original film transparencies dating back to the 1980s. No photographs displayed on this website are AI-generated.
All photographs presented on this website are part of four decades of original photographic work and are registered and copyrighted with the U.S. Library of Congress. Unauthorized use, reproduction, distribution or copying of any image is prohibited without prior written permission. All rights reserved.